This article is devoted to the study of the so-called “Spanish theme” in Soviet porcelain. The author analyses the reflection of the stereotypical perception of Spain in small porcelain sculptures of the Soviet period produced by a variety of manufactures. Among the components of the Spanish theme, the author highlights the images of flamenco (Spanish dance), bullfighting, the most recognizable heroes of Cervantes (Don Quixote and Sancho Panza), and the fiery Carmen who was created by Prosper Mérimée and has become the stereotypical image of a nineteenth- century Spanish woman in the popular imagination thanks to the musical and dance pieces of the same name. These traditional components of the perception of Spain in the twentieth century were supplemented by the interpretation of a turning point in Spanish history – the Civil War of 1936–1939 – in propaganda porcelain. This article proposes another perspective on the Spanish theme in Soviet porcelain and considers the formation of the images of Spaniards, men and women. Such images are reflected in all the plots presented in this paper. Most of the sculptural works by different generations of Soviet porcelain masters are devoted to dance. The author concludes that dance scenes, including the ones that refer to Carmen, are fundamental for the Spanish theme in Soviet porcelain.