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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">mgimorusculture</journal-id><journal-title-group><journal-title xml:lang="en">The Russian Journal of Cultural Studies and Communication</journal-title><trans-title-group xml:lang="ru"><trans-title>The Russian Journal of Cultural Studies and Communication</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2949-6330</issn><publisher><publisher-name>МГИМО МИД России</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24833/RJCSC-2022-3-59-67</article-id><article-id custom-type="elpub" pub-id-type="custom">mgimorusculture-19</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>SCIENTIFIC DISCOURSES</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>SCIENTIFIC DISCOURSES</subject></subj-group></article-categories><title-group><article-title>Manifestations of Natural Written Speech: Inscriptions on Photos</article-title><trans-title-group xml:lang="ru"><trans-title>Manifestations of Natural Written Speech: Inscriptions on Photos</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Krasovskaya</surname><given-names>N. A.</given-names></name><name name-style="western" xml:lang="en"><surname>Krasovskaya</surname><given-names>N. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Nelly A. Krasovskaya</p><p>Tula</p></bio><bio xml:lang="en"><p>Nelly A. Krasovskaya</p><p>Tula</p></bio><email xlink:type="simple">nelli.krasovskaya@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Kositsina</surname><given-names>P. Yu.</given-names></name><name name-style="western" xml:lang="en"><surname>Kositsina</surname><given-names>P. Yu.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Polina Yu. Kositsina</p><p>Tula</p></bio><bio xml:lang="en"><p>Polina Yu. Kositsina</p><p>Tula</p></bio><email xlink:type="simple">kosicina2000@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Tula State Lev Tolstoy Pedagogical University</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Tula State Lev Tolstoy Pedagogical University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>19</day><month>12</month><year>2022</year></pub-date><volume>1</volume><issue>3</issue><fpage>59</fpage><lpage>67</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Krasovskaya N.A., Kositsina P.Y., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Krasovskaya N.A., Kositsina P.Y.</copyright-holder><copyright-holder xml:lang="en">Krasovskaya N.A., Kositsina P.Y.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://cultures.mgimo.ru/jour/article/view/19">https://cultures.mgimo.ru/jour/article/view/19</self-uri><abstract><p>   The main purpose of this article is to consider certain genres of natural writing. The very concept of “natural written speech” at the present time has not received a complete and comprehensive interpretation. However, there are fewer examples of it today. In part, the disappearance of the genres of natural writing is associated with the onset of the digital era, when people stopped writing physical letters and notes, ceased making notes for themselves, and no longer annotated and signed photographs. Many genres of writing are capable of giving an idea of the writer in the same way as the varieties of oral speech. In natural written speech, some features of personality and linguistic personality are manifested. The aim of the research, presented in the article, is to analyse inscriptions on photographs from the viewpoint of their lexis, punctuation, and graphical layout to define the chronotope and personal characteristics of the authors of this genre of written discourse. The focus is on the linguistic means of inscriptions on photos, i. e., the graphic, lexical, derivational and other features. In the process of analysing the inscriptions, the main varieties of this genre were identified: inscriptions made as a memento; inscriptions that represent the definition of an event or time and place; inscriptions made to convey information to close relatives, etc. In addition, the inscriptions on photographs can be classified by keywords, if possible, determining the chronotope, by the use of graphic means, by the location of the inscription itself in the photograph. To a certain extent, the inscriptions made on photographs reflect the personality traits of a person. The analysis shows that inscriptions on photographs were a forerunner of sorts of personal pages on Instagram.</p></abstract><trans-abstract xml:lang="ru"><p>   The main purpose of this article is to consider certain genres of natural writing. The very concept of “natural written speech” at the present time has not received a complete and comprehensive interpretation. However, there are fewer examples of it today. In part, the disappearance of the genres of natural writing is associated with the onset of the digital era, when people stopped writing physical letters and notes, ceased making notes for themselves, and no longer annotated and signed photographs. Many genres of writing are capable of giving an idea of the writer in the same way as the varieties of oral speech. In natural written speech, some features of personality and linguistic personality are manifested. The aim of the research, presented in the article, is to analyse inscriptions on photographs from the viewpoint of their lexis, punctuation, and graphical layout to define the chronotope and personal characteristics of the authors of this genre of written discourse. The focus is on the linguistic means of inscriptions on photos, i. e., the graphic, lexical, derivational and other features. In the process of analysing the inscriptions, the main varieties of this genre were identified: inscriptions made as a memento; inscriptions that represent the definition of an event or time and place; inscriptions made to convey information to close relatives, etc. In addition, the inscriptions on photographs can be classified by keywords, if possible, determining the chronotope, by the use of graphic means, by the location of the inscription itself in the photograph. To a certain extent, the inscriptions made on photographs reflect the personality traits of a person. The analysis shows that inscriptions on photographs were a forerunner of sorts of personal pages on Instagram.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>natural writing</kwd><kwd>written speech</kwd><kwd>genre</kwd><kwd>inscriptions</kwd><kwd>photographs</kwd><kwd>personality of the writer</kwd><kwd>linguistic personality</kwd><kwd>graphic means</kwd><kwd>chronotope</kwd></kwd-group><kwd-group xml:lang="en"><kwd>natural writing</kwd><kwd>written speech</kwd><kwd>genre</kwd><kwd>inscriptions</kwd><kwd>photographs</kwd><kwd>personality of the writer</kwd><kwd>linguistic personality</kwd><kwd>graphic means</kwd><kwd>chronotope</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Baudouin de Courtenay J. 1912. 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